1-Liberation from the Object of Life
Liberation from the Object of Life

1-Liberation from the Object of Life

A concept rooted in psychoanalysis, it refers to the process of detaching from deeply ingrained emotional attachments that shape identity and behavior. This liberation allows for self-redefinition beyond past dependencies.
2-Maternal Issues
Maternal Issues

2-Maternal Issues

Unresolved maternal conflicts often shape one’s emotional world, influencing attachment styles and relationships. Psychoanalysis explores how early maternal interactions affect self-perception and emotional regulation in adulthood.
3-Introjection
Introjection

3-Introjection

A defense mechanism in which individuals internalize external voices, values, or authority figures, often leading to internal conflicts. It plays a key role in shaping the superego and self-identity.
4-Waning of the Oedipus Complex
Waning of the Oedipus Complex

4-Waning of the Oedipus Complex

Freud described this as the decline of childhood desires and rivalries toward parental figures, marking a crucial step in ego development and the formation of mature relational dynamics.

Statement

Diving into the realm of Freudian psychoanalysis, “Symptoms” invites viewers on a visual journey through the enduring echoes of childhood traumas. Each meticulously staged photograph unravels the complexities of the id, ego, and superego, capturing the nuanced interplay of unconscious conflicts like anxiety, mood swings, and intricate relationship dynamics. Interweaving concepts such as the Oedipus complex, Waning of the Oedipus Complex, introjection, mommy issues, and internal object relations, the visual narrative unfolds as a reflection of a psychoanalytic session. Subjects undergo a transformation from mere objects to introspective beings, embodying the very essence of psychoanalysis. Paying tribute to Freud’s enduring legacy and drawing inspiration from David Hockney, “Symptoms” breaks free from conventions, offering a unique exploration of the human psyche. This collection serves as an invitation to witness the mind’s liberation from past traumas and prompts reflection on our shared psychological complexity. In conclusion, “Symptoms” is a photography collection that explores the human psyche through the lens of Freudian psychoanalysis. It invites the viewers to join the subjects and the artist in a journey of self-discovery and healing, by uncovering the hidden causes and effects of childhood traumas. It also challenges the viewers to reflect on their own psychological complexity and diversity, and to appreciate the power and beauty of the unconscious mind. I hope that my work can inspire and educate the viewers, as well as provoke emotional and intellectual responses. I also hope that my work can contribute to the dialogue and appreciation of psychoanalysis and art, and to the recognition of their interconnection and relevance in today’s world.